Amp-walls, aluminium guitars and an arsenal of fuzz pedals. That’s the formula of success of Swanmay’s bassy & fuzzed out Heavy-Stoner-Sound.
After dozens of shows all over Europe as support for Kadavar, Truckfighters, Brant Bjork, Elder, The Atomic Bitchwax, My Sleeping Karma, Ufommamut amm. the three Fuzzgeeks have released their debut LP „Stoner Circus“ on April 20th, 2017 via IAM Records and they deliver the soundtrack for all supporters of the 420-movement.

 

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„Black Sabbath with better voice!“ / Kurier
„In my opinion Swanmay is even better than Mother’s Cake!“ / x-act-musicmagazine.com
„Swanmay does not need to hide behind big acts. Their sound is actually international“ / FM4
„Swanmay ranks seamlessly in the reign of bands, which give the stoner rock scene a little revival – Stoner Doom par excellence.“ / Subtext

 

Stoner Circus is Swanmay’s second recording, the first being the excellent EP Metronome. The band’s trio of riff-slingers, hailing from the Steel City of Linz, Austria, are true thaumaturges of fuzz, infusing their deep, immersive music in lusty amplification and emotionally palpable effects anchored to intelligent melodies and razor-sharp hooks capable of engulfing your metal soul in paroxysms of sheer indulgence.
Run away as fast as you can from the mundane and join this circus of fuzz today to get in on the ground floor of its mammoth awesomeness.“
Heavy Planet

 


„Unabashed stoner rock riff-led ideology persists throughout Stoner Circus, the hard-driving debut full-length from Linz, Austria, three-piece Swanmay. Working from a center of dense but not overblown fuzz, the rockers cast forth a clear-in-its-purposes nine tracks highlighted by “Lake on Fire,” which one can only wonder if whether or not was written in homage to the Austrian annual festival of the same name. In any case, that hook is one of several that feel particularly engaging throughout Stoner Circus, and the depth of tone on the instrumental “Dopechild” is enough to make that song memorable despite a lack of lyrics. Far from revolutionary, ultimately, but clearly not trying to be either, Swanmay’s first LP preaches its post-Kyussism on “Dharma” and in the Lowrider-style roll of “Sylvan” earlier on, but there’s an aggressive edge to it as well that comes to the fore on “Padawan” ahead of closer “Shiva,” which rounds out with a satisfying-if-telegraphed slowdown to make the point one more time about putting the groove first. So be it. As a debut, Stoner Circus gives Swanmay something to build on and already shows promise in songwriting and its well-honed execution of genre tenets.“

The Obelisk